Yellow
Mountain
By Peter Smyth
A
family driven apart by greed and lust. The desire for gold and wealth is
overwhelming like the lure of a naked thigh. After the death of old man Hudson
many had searched for his gold mine, but none had found it. Damsel
Parker, cow hand and drifter, learns of the gold mine through the old man’s
granddaughter, Gale.
Damsel Parker is thrust into the
middle of a divided family, where he learns that lust and greed is the parent of
all evil.
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Part 3
An overwhelming feeling of uncertainty made
Parker stop abruptly as he stepped into the main street of Grayville’s Ridge.
Suddenly he was faced with the issue he had avoided up until now, and his
stomach tightened as he thought of the young woman and her three companions.
They too, as he recalled, were headed for Grayville’s Ridge, and at all costs he
wanted to avoid another confrontation with them.
Less important were the things that they had
taken from him than his joining up with Danny Fletcher and Tom Ferguson from the
Hudson ranch. "We’ll be in town for the weekend," Tom Ferguson had told Parker.
"But as you can`t give me an exact day of your arrival, there's a fine young and
up-right black man working in the delivery stable, he'll guide you off in the
right direction should we miss each other. His name is Michael."
From the far end of the main street came the
chimed clatter of a solitary church bell that echoed clear across the shallow
basin to the low laying hills. Parker counted them - five in all - and almost
instantly the street began to fill with people chatting eagerly in their relief
of another day's work ended - while the shop keepers began their task of
securing their premises for the night, and Parker felt a sense of relief in
their numbers.
It was now two day's into the new week and
Parker guessed that the three-day time lapse, he had suffered, would have
coincided with their departure. So with a steeped physical effort, he steadied
himself then set off limping across the main street towards the delivery stable.
His feet were aching again from his tiresome four-hour march. The tattered soles
of his riding boots had disintegrated even further resembling no more than that
of fluffy scruffs of shredded paper, that offered little protection to the now
inflamed and bleeding laceration beneath his feet. He had not reach the other
side before the spirited sound of the workers was broken by the explosion of
thundering horse hooves and the yells and shouts of stalwart men bent on a long
lissome night of whisky and loose women.
Parker bit down on his bottom lip and broke
into a hard run. The delivery stable was a large rectangular building situated
at the south entrance to the town and made completely of pinewood. The sweet
stale smell of straw and horse manure filled his nostrils as he charged through
the opening between the two large hanging doors just as the riders appeared on
the street.
A startled young African looked up as he
entered. He was dressed only in long khaki trousers, fastened around his middle
with a charred length of rope, and his feet were stuffed awkwardly into a
homemade pair of leather sandals. He hesitated a moment, his large black pupils
made more prominent by the brilliant white of the eyes that surrounded them -
before fumbling the words that escaped his mouth. "Mm … Mr Parker?" And Damsel
Parker nodded steadily.
The young black man moved swiftly to the stable
door, peered out briefly, then returned to Parker`s side. "Miss Veronica … !" he
said hastily. "Follow me, sir. They will not find you in the basement."
Parker stood quietly in the dark silence that
surrounded him in the confined space beneath the delivery stable. From above
came the muffled sound of horses as they were led in, and the sounds of the
rider’s voices were muffled also.
"I … " said one of the riders, " I saw … just
as … the main street."
"Are … sure?" said another.
"I … know what … saw." the voice came again.
"Ask the … He must … have … something."
"Right … !"
There was a moment when it seem that all the riders spoke across each other, and
Parker released that there were more above him than just the young woman and her
three companions.
There was a scuffling sound followed by a
heavy bang as something hit the floor. A moment of silence, then a scraping
sound, a another scuffle, and another bang as again something struck solidly
against the stable floor.
Parker had it in is mind to wait a full five
minutes after the last of the foot steps had disappeared from ear-shot out into
the dusty street before starting, in the dark, back up the wooden slatted
step-way, but only three had passed before he heard the rustic sound of weary
hinges. Expecting the worst he pressed himself firmly up against the cold damp
wall avoiding the sunlight as it filtered down into the basement.
"They have gone, Mr Parker," the young African
called softly. "You can come out now."
Parker stepped from the shadows and looking up,
he stopped abruptly, for the young black man crouched at the entrance above him
was clearly in pain. His nose was broken and lay awkwardly across to the left
side of his face, and a long open gash appeared across his forehead oozing blood
down into his eyes and mixedfreely with the blood from his
nose before dropping from his chin like liquid rubies that splattered into dark
little pools on the basement floor.
Parker mounted the wooden step-way with no
concern for the pain in his own feet and took the young man's head firmly
between his hands.
"Did they do this?" The question was
meaningless for he already knew the answer, but the young African nodded slowly,
and Parker squeezed his head gently.
Parker stood before him now on the wooden
step-way holding his head as tenderly as he would a child's. The laceration
across his brow, caused by a heavy blow from the barrel of a handgun, was deep
and long, and the loose skin at the edges had pulled away tightly revealing the
warm-pink colour of his tender under flesh. The nose was broken and already the
swelling was beginning to show across the broad ridge between the eyes. Parker
removed the scarf from around his neck and gently dabbled at the open wounds.
"You must leave Mr Parker," said the young man.
"It`s not safe for you to be here."
"Not like this, I can`t." Parker told him
firmly, then helping the young man to his feet Parker led him, like a father
shepherds a child, over the freshly laid straw between two spacious and
immaculate rows of boxed horses and out in to the main foyer, and seated him
comfortable on a chopping block that stood among three others at the center of
the room. "What made them do this?" Parker inquired finally.
"One of Miss Veronica’s boys thought that he
saw you entering the delivery stable." He paused a moment as he took the scarf
from Parker`s hand, dabbed gently at the blood that oozed from his nose, then
held it firmly up against the wound across his brow. "I guess they thought by
beating me I’d hand you over to them."
For a time Parker studied the young man; a tall
handsome lad barely out of his teens with firm upper arms and tight shoulders
that bowed slightly giving the appearance that he had carried heavy loads from
an early age, and the taut muscles of the stomach rippled imposing down each
side of his dark navel.
"You must be Michael?" said Parker, and the
young man nodded again.
"Yes, Mr. Parker." His eyes were focused at the
floor and his head was bent forward slightly in a manor of respect. "I`ve been
expecting you since last Sunday. Mr Ferguson told me that you were coming. He
has left a fresh horse for you here in the delivery stables. He said you might
be needing one when you rode in."
Parker studied the young man's face a moment
longer, and then rose quickly to his feet and crossed to the delivery stable
entrance. "What I need now Michael," he said back across his shoulder, " … is a
weapon."
"No! Mr. Parker!” Michael said suddenly looking
up. "You can not face them alone. There are to many of them."
"How many?"
"Ten." He shrugged, uncertain. "Maybe more."
"That’s a lot more than this morning." He
grunted out aloud to himself. Then to Michael, he said; "We must get you to a
doctor, my friend."
Michael rose unsteadily to his feet, scratching
his scalp through thick woolly black hair.
“You must leave now, Mr. Parker. If Miss
Veronica’s boys should find you__”
"Surely Grayville Ridge has a sheriff?" Parker
cut him short.
"There is," Michael went on. "But most times he
looks the other way. Tonight the town folk will lock themselves away, but none
will sleep for the noise of gun-fire and shouting in the street." He stopped
abreast of Parker and peered cautiously out into the street. "You must leave
now," he whispered turning back.
"Not like this, I can`t." Parker said again.
"Don`t worry about me, Mr Parker. You must go
now while it is still light."
Parker turned and faced the horses that feed
contented and quietly on the sweet dry grass mixed proportionally with oats and
corn and immediately his attention was drawn by a impressive piebald mare that
stood to a height of nearly twenty-one hands, with a fine fawn main that
hung down against its firm solid neck in a soft ortanic glow like that of fine
silk. It stood apart from the others and fastened to a hitch-rail, its fawn and
raven tail flicking steadily from one side to the other dusting the irritating
flies that swarmed at the naked flesh of her rump - while her right front hoof
pounded the earth as she impatiently awaited her rider. A fine specimen of good
breeding and Parker found himself smiling as he noticed the initials J/H branded
high on her right shoulder. It was the same branding as those that Danny
Fletcher and Tom Ferguson from the Hudson ranch had ridden the day they had
hired him.
Parker remained silent awhile and then started
forward, but Michael put out his hand and drew him back.
"Not tonight, Mr Parker. They will ride you
down before you could reach the Hudson Ranch. You are new to these parts. It
would be best for you to spend the night down at the creek on the outskirts of
town. Tomorrow when they have gone I’ll saddle Shadow Dancer and point you in
the right direction."