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THE STATE OF NORMALITY
Romania, 1989
By DOINA HORODNICEANU
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© 2002 Doina Horodniceanu
CHAPTER 6
I pay for the drinks and leave without another look around. I don't want to go
back to the office, but I can't stand the street scenery either. These miners
that occupied the city with their rudeness and crazy smiles make me sick. They
are black angels spreading fear and terror.
I decide to fight the journalists one more time. I make it back safely. My
office is five by five and four meters high. A big chandelier is hanging in
the middle. It has a lot of mahogany, too.
I feel safe in here.
I’m so popular, it’s hard to imagine. Everybody is looking for me. My dear
wife wants me to call her at once; the kids left me a message saying they have
something really important, Marta conjugates the same verb, the miner’s leader
wants to see me at once, and my boss is waiting for me in his office.
After I check on the kids (all they want is money) I decide the last message
should be the first, and I enter the boss’s office. He gives me such an
abstract, long look, I feel like introducing myself. On his desk is a city
map. Next fall I’ll take my hat off in front of him, with respect. I can’t do
it now because it’s in the closet – the hat I mean. I have to admit - I’m very
impressed. He is full of energy. I don’t think he slept more than two hours
last night and he looks absolutely neat, not even one wrinkle on his suit. He
has also had time to study the map carefully, considering the number of signs
in different colors and shapes that cover it. Arrows, crosses, circles,
initials. Well done! Two initials correspond to each sign: the place and the
person in charge. However this didn’t help him too much. Lots of work and
noise for nothing. The miner’s army turned out to be a really bad idea. We
have a lot of victims, some deaths, the opposition is on fire, foreign press,
Constitution, Human Rights, European Parliament, “Our Father who art in
Heaven, hallowed be thy name…” and so on... He drives me crazy. They produced
this disgusting, terrible mess and now I have to clean it up. They want the
miners out of town as soon as possible and let’s forget the whole story. How
can anyone forget since there are dead people (old and young), teachers and
students raped in the classrooms and during the exams, burnt buildings and so
on. How can we forget? And why? I’m so mad I can not even speak. I get out
without a word. Back in my office, I try reading the reports. It’s disgusting.
I can’t do this anymore. With only one short move I clean my desk, throwing
everything down and I go back to my friends’ files. I open them one after
another.
Look at all these people! It’s enough to pick out one name, one person almost
at random and see how his own existence is mixed with all the others’.
Starting with one incident to another one, from ramification to ramification;
I start with Emil and I get to Matei, Ioana, George, Marta, Tudor, Victor,
Nadia and I and through Nadia back to Emil where the circle closes. But I can
start anywhere and take any direction, with different people, different lives
having their own intrinsic importance and still all of them will be part of
the same social system. For the first time I realize how far the range of my
own life, as banal as it is, extends. I see how reality can be so much
stronger than fiction, and how anything you could find in a three-hundred-page
novel is ridiculously unimportant compared to just one of our gestures. It’s
enough to recall a name and tens of other people, facts, adventures will show
up, activating thousands of small wheels, parts of this mechanism called
society, that only today I begin to understand.
Tudor, for example, he is the worst! His pictures, however, are very good. We
have plenty of samples in this folder. He is superb, with blue eyes, sweet
pink cheeks like bonbons. The kind of guy that can open any door just by
smiling at it and the smile will be returned too. Some kind of mama’s boy, but
mom doesn’t know what her son does. I wish to be like this. He is too
expressive though. You can read the synoptic map of an atmospheric disturbance
on his face. I learned these important words from the Weather Channel. I have
no idea what they mean, but they sound great. He has a perfect actor face - it
talks by itself, with the mouth shut. Sometimes he has the nebulous aspect of
an anticyclone field - which would get dispersed fast enough.
Yeah, some kind of genius, yeah, a drunkard. My job made me alert. I always
wondered about him and Marta. They seem to be just friends, but how can you
know? Well, I think I know; but still, always around her... And his success
with women, yeah; - no; I don't think so! Still, one night I met them right in
front of Marta’s house. It was one thirty in the morning and they didn’t
invite me to join them. I didn’t even see her too well because of the
darkness. I wasn’t able to distinguish what dress she was wearing. I talked
very indifferently and I actually had the impression that I didn’t care
anymore. But after I left, all my memories, my hopes and my wounds woke up.
Yeah, Tudor's women... How many mornings like this?
#
You can hardly open your eyes, the tongue is heavy and the mouth is sour. Your
whole body hurts. Jesus, where am I? Little by little you start to remember...
Outside the light is gray, and it's so damn cold. Trying to find one of your
socks under the bed, there's a lot of dust and dirt. Forget about it, one will
be enough. You are finally out, in the hall. It is of course the tenth floor,
and the elevator doesn't work. By the third floor when the freezing cold hits,
you remember the gloves. Forget them too. Drizzle. The thermometer lashed to
the outside of the window by two strands of fraying packing string reads minus
five degrees. Cold, stumbling, nose leaving a trail of snot as if a snail had
crossed your lips. You must feel the wind abstractly; as if your legs are made
of the cotton of your pants and your legs’ proper exit is only a vacuum for
air to rush up. You can not even remember her name... Finally, the first tram
shows around the corner. You get in but the broken doors will never close. The
wind is blowing in the empty tram.
#
Five marriages, two of them to the same woman, all of them at church with
wedding rings. He pays five child alimonies. Separated right now, fourteen
known addresses in the past ten years. Erratic Taste in Women. Significant
Decline in Quality as Late Middle Age approaches.
One year at the Academy of Arts. Lush. Another year at the University. Beer
must have enjoyed that period of Tudor's maturing, copping looks at art
chicks, two fingers and the thumb of his right hand scattering the evidence of
his sandwich to pigeons.
The spring following our first meeting at Portitza, we went out on a rainy
night. He wanted to go to a performance, not just to one but to two or even
three if possible. He claimed he would not have enough patience to listen to a
whole concert from the beginning to end. So we first went to the Radio Concert
Hall and then to the Athenaeum. At the Radio, they were playing Beethoven’s
Trio NR.1 for Violin, Piano and Cello op. 70 and at the Athenaeum we listened
to Mozart’s Eine Kleine Nachtmusik. If it were only for the fact that I was
supposed to show up at two major concert houses during the same night, I found
it excessive. But I think the right word would be show off and not show up
because our entrance in both edifices made a strong impression. There was no
one who would not turn his eyes toward us. Tudor was wearing a pair of blue
jeans with a black turtleneck and high, black boots. I tried to convince him
to put on something more decent but I didn’t succeed.
“Why do you want me to change my clothes? It’s cool and I’m very comfortable
this way. And my boots, they are very comfortable too. The Romanians, they
don’t know how to dress. They are too classy, too stiff. Look at the foreign
movies or magazines; they are always very casual, as if they spent their whole
lives in the living room. Why can’t we be like this?”
It started to rain again. A cold, penetrating, spring rain.
From the Athenaeum we crossed the street to the National Palace where we
listened to Schumann - The Fourth Symphony. An overfilled hall with men in
dinner jackets and women in evening dresses who turned their heads to look at
us. We were all wet. The water was pouring down our clothes, leaving wet
trails behind us. I was a little bit uneasy but at the same time I was amazed
and even proud of my friend’s relaxed attitude. I expected to be thrown out
any minute. I told him not to talk during the performance, and at least from
this point of view he behaved. That music, what a richness, what a happy
easiness, how youthful. A myriad themes and musical ideas. Each of them could
be a concert in itself, a symphony. Innumerable sounds have been thrown
together with a magnificent negligence, with generosity.
We spent the rest of the evening walking down Main Boulevard and sitting down
on the sidewalk in front of the Athenaeum. The rain stopped. I thought he was
insane and certainly this is what the pedestrians thought too, but now I
believe he wasn’t actually crazy – just a little too extravagant, or maybe too
artistic.
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